justin-john:

wtfhistory:

theshewomanboyhatersclub:

jesuisuneetoile:

THIS IS MARRIAGE!!

Thats right!

Permission to be a bad ass. Nod.

He looks back at the guy like, “SEE THAT? SHE SAID YES. YOU’RE SO FUCKED.”

Like, guys. Sparta was so kick ASS sometimes when it came to women. Spartan women were given these small knives so that if their husbands came home and tried to hit them or assault them, they had a weapon within reach. That weapon was for CUTTING THEIR HUSBANDS’ FUCKING FACES so that when he went out in public everyone would know he was an asshole, abusing jerkface and they would publicly shame him.

I DID NOT KNOW THAT THAT IS GREAT

LET’S JUST TALK ABOUT SPARTAN WOMEN FOR A SECOND.

In Sparta, women could own land and were considered citizens. THAT IS A HUGE BIG FUCKING DEAL. Why? Because that was RARE AS FUCK and there are lots of places TODAY where women don’t even get that much.

Divorce was totally fine, and a woman could expect to keep her own wealth and get custody of the kids because paternal lineage wasn’t very important. And it didn’t make her a pariah! She could totally remarry, no big deal at all.

Spartan women participated in some fuckin’ badass sporting events, too. And because they were expected to be as physically fit as the Spartan menfolk (who all had to serve compulsory military duties, btw, and couldn’t marry until they finished them at thirty) they didn’t have time for lots of swishy dresses. So they wore notoriously short skirts. According to some accounts, their thighs were visible at all times. HOLY SHIT. 

Also, In Sparta men only got their names on their graves if they died in battle. And women? Women only got their names on their graves if they died in childbirth. THE SPARTANS COMPARED CHILDBIRTH TO FUCKING BATTLE AND IT WAS VIEWED AS A GODDAMN BADASS AND HONORABLE WAY TO GO OUT.

FUCKING SPARTAN WOMEN. THIS DUDE HAD FUCKIN’ BETTER MAKE SURE SHE’S COOL WITH WHATEVER HE’S DOING, IF HE KNOWS WHAT’S FUCKIN’ GOOD FOR HIM.

^^ I throughly enjoyed the history lesson dashed with the colorful adjectives.

This thread is great.

(via nadiaaboulhosn)

thefiftyeight:

Michael Ray Charles - White Power, 1994

I would love to own this piece.

thefiftyeight:

Michael Ray Charles - White Power, 1994

I would love to own this piece.

(via blackcontemporaryart)

(via manda)

yagazieemezi:

Jean-Luc is Manaud child of the desert. Born in 1948 in southern Tunisia, where he lived until the age of fourteen years, the Sahara is for him, a kind of language. Having started studying architecture, he finally opted in 1977 for photojournalism. From 1980 to 1986 he was a reporter and covered a number of conflicts around the world (Ogaden, Cambodia, Angola, Nicaragua, Lebanon …). Gradually, he returned to the Sahara. He has spent twenty years through all the landscapes Ténéré Mauritania accompanies salt caravans or Theodore Monod its crossings, is interested in the Tuareg guerillas as well as traditions of Bororo Fulani and undertakes walk-in the upheavals of a nomadic changing world. several years, Jean-Luc Manaud travels the Mediterranean. (translated from French)

(via theeducatedfieldnegro)

(Source: grottu, via scienceetfiction)

wnycradiolab:

motherjones:

Lunch break: William Stout’s 100 Cartoon Portraits of Legendary Blues Artists.

These are so wonderful.  If you want more Robert Johnson, check out our story, Crossroads.

wnycradiolab:

motherjones:

Lunch break: William Stout’s 100 Cartoon Portraits of Legendary Blues Artists.

These are so wonderful.  If you want more Robert Johnson, check out our story, Crossroads.

I’ll take one of these, please.

I’ll take one of these, please.

(Source: catasters, via manda)

interwebs:

Cardboard cat art is the best art

(more and via)

#soulmates

#soulmates

(via manda)

Netflix, April 1st

(Source: kateoplis, via cinemastatic)